The 24th edition of Elisava’s “Temes de Disseny” publication, titled “Critical Design“, features a collection of articles and essays that delve into the increasing relevance of design criticism: it emphasizes the importance of critical reflection and the generation of its own theoretical content in design. Topics covered include critical design, designing with people, and the social functionality of design. Furthermore, it includes discussions on visual self-complacency and mosque design, offering a broad and diverse perspective on contemporary design and its social impact.

In the redesign of “Temes de Disseny,” the 24th issue represents a bold leap into contemporary aesthetics, underpinned by the use of the DIN typeface. This choice reflects a commitment to clarity and modernity, as seen in the cover’s striking use of monochromatic hues, punctuated by the red accent of the magazine’s title, which echoes the minimalist ethos found within. The cover image, a monochrome photograph, featuring patterns of light and shadow, alludes to the critical design themes explored in the magazine’s content.

Inside, the layout exhibits a generous use of white space, creating a visual breathing room that frames headers and body text, guiding readers with an effortless visual hierarchy. Black text on white backgrounds dominates the color scheme, ensuring that the content commands attention without distraction. Images are thoughtfully aligned with the grid, complementing the text and reinforcing the narrative.

This redesign is not merely a facelift but a strategic reimagining of the magazine’s visual narrative, an approach to a contemporary aesthetic aiming to engage readers with a design that values accessibility and readability. It stands as an example of the enduring power of simplicity, where every element serves a purpose, and nothing is superfluous. This philosophy is embodied not only in the cover but throughout the magazine, making this publication and immersive and enjoyable reading experience.